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  • MOVIE page: Neram (2013)
  • Rate: 7.3/10 total 142 votes 
  • Genre: Drama | Romance | Thriller
  • Runtime: Kuwait:150 min
  • Director: Alphonse Puthren
  • Stars: Nivin Pauly, Nazriya Nazim, Lalu Alex | See full cast and crew
  • Original Music By: Rajesh Murugesan   
  • Soundtrack: Kadhal Enulle
Writing Credits By:
    (in alphabetical order)
  • Alphonse Puthren 
  • Alphonse Puthren.M 



Neram Official Trailer | Tamil Movie | Nivin Pauly, Nazriya Nazim, Simhaa Neram Malayalam Movie Official Trailer- Nivin Pauly, Nazria - HD 1080p Neram Malayalam Movie Trailer - Official Theatrical Tamil Trailer Neram Tamil Movie - Trailer Neram Malayalam Song - Vaathil Melle 


Plot: Can a young man escape from the clutches of a loan shark on time? Full summary » |  »

Story: The lead character Vettri (Nivin) is a nomad in search of a job after being fired from a bankrupt multinational. He borrows some money from a local goon Vattiraja (Simhaa) for some family commitments and he is not able to repay it back on time. To pile up his troubles, his girlfriend Veni (Nazriya) runs away from home as her father does not acknowledge their love. To add fuel to the flare, his sister's husband demands the pending dowry to start over his new found business. All of these need to happen by 5pm in a single day and of course with little time left. If you think that's the end to all of Vettri's woes, no! There are plenty more which keep mounting his head, so will he successfully repay Vattiraja to escape his wrath? What happens to his love? How does he escape the police? Written byJoseph

Produced By:

    FullCast & Crew:
    • Nivin Pauly known as Mathew (Malayalam) / Vetri (Tamil)
    • Nazriya Nazim known as Jeena (Malayalam) / Veni (Tamil)
    • Lalu Alex known as Johnykutty
    • Simhaa known as Vatti Raja
    • Thambi Ramayya known as Saravannar
    • Shammi Thilakan known as SI Ukken Tintu
    • Nasser known as iPhone
    • Manoj K. Jayan known as Rayban
    • John Vijay known as Katta Kunju
    • Charlie
    • RJ Ramesh Thilak
    • Anju Kurian known as Ann
    • Anant Nag
    • Shabareesh Varma
    • Crane Manohar
    • S.V. Krishna Shankar
    • Wilson Joseph
    • Deepak Nathan

    Production Companies:

    • Winner Bulls Films



    Neram (2013) Review by sambath kumaar from India
    Though there is no spoiler in this review, if there are people (likeme) who think a review could spoil the way they see the movie withtheir own opinions and perception, do not proceed further..:)

    One of the most brilliant movies I have seen in Tamil Cinema. Wellmade, well pictured, well performed and finally really well EDITEDmovie. Was able to see the transformation of Tamil cinema (Vazhakku En,Vishwaroopam, Pizza, NDPK, Soothu Kavvum etc). This classy movie joinsthis list and also stands apart.

    Was impressed in the first frame of the movie when they sport this "Icopy from every movie ever made -Quentin Tarantino - I Agree to this -Alphonse Putharaen(Director)". Expectations rose when the directorhimself was the editor too. But unlike my recent disappointments, thismovie continued to thrill, excite and humor me throughout its path.

    First of all the movie is completely a real life story with only alittle bit of cinema in it. Ever other scene in the film can easilyhappen to anyone of us here and it is completely genuine. Be it thenarration, performance by actors, the romance between the couple, anunderstanding and practical girlfriend and many more...

    Highlights: Brilliant camera, editing, acting, screenplay, BGmusic(awesome) and overall direction. Cons: If thought of deeply,certain scenes could be avoided.

    Every other character plays a very important role in the movie andfinally floods in to the really suspense climax. No wonder the directorAlphonse Putharaen is a fan of World Cinema!!

    This is just another movie without stupid duets and irritating fightscenes. Such movies becoming hit will keep at bay commercial moviesthat tarnishes the fame on Indian Cinema. Tamil cinema is not that faraway from creating a masterpieces like Zindegi Na Milegi Dobara, RangDe Basanti etc...

    Happy that I Streaminged it in theater.


    Neram (2013) Review by sashank_kini-1 from India
    Neram is like Streaminging an enthusiastic but amateur dancer appear on aprofessional dance competition; it has spark and some skill but lacksfinesse. Its concept is clear yet the design is patchy; every characterin Neram has the quality of being memorable but not the essence. Youwould be less interested in a match between two low-ranked players,irrespective of their improvement on court, than a battle between twotop seeders. Neram sometimes feels stodgy and heavy-handed but you doadmire its efforts nevertheless. But you want more, you want somethingdelicious, something you can relish like sinful dark chocolate but whatNeram provides you is Milky Bar. Nice, no doubt, but not to make you go'Bow Chicka Wah Wah!' Axe style.

    My intention wasn't to Streaming Neram at all when I entered Mayajaaltheater hall in Chennai. As there wasn't any other movie playing atthat time (well I did have options but it was either this or theanimated film Epic or worse, a long three hour wait for the rest of thefilms), I chose to go for Neram, only because I was pleased by theefforts current Tamil directors were putting in their films unlike manyof their Bollywood counterparts. When I entered the hall, the movie hadnot 'kindly stopped for me' (couldn't resist using the Emily Dickinsonphrase!) so I can't exactly tell how it began. My version began withthe scene where Vatti Raja, a small-time money-lender cum thug beratessomeone for not repaying the loan as others, including our protagonistVetri and his friend look on unnerved. The scene ends with Vetri'sfriend farting and I thought immediately 'Was that necessary?'. Anumber of such embellishments weren't needed, but Neram retained them,making the film feel like an over-decorated Christmas tree. Like afterthis very scene when Vetri begins telling about his love life and weare taken back to his school days when he met his future fiancé Jeenathe first time in the sixth grade I think; the scene is cute until thefilm also decides to add an entire song sequence with Vetri and Jeenaperforming the predictable 'park foreplay' (with bubble-blowing, thistime) and the sappiest audience goes 'Ah! What I cute couple!'. I wasunmoved.

    Later, when Neram gives rest to silly romance, it works as a Tarantino-like comedy. Vitri frets about the consequences of not repaying hisdebt to Vatti Raja, while trouble also brews up when Jeena's fatherobjects to their relationship on learning that Vetri is unemployed.Jeena plans to elope with Vetri but that's when chain gets stolen;interestingly, one of the members from the same gang of chain-snatchersrobs Vetri's money, which he had taken from his friend (I think; am anunreliable narrator here, not having Streaminged Neram from the beginning).A parallel storyline involves a guy (don't ask me the character's namenor the actor who's playing him. Wish Wikipedia could update itscharacter bios in Neram) who keeps a 'cool' nickname for himself, likesogling at girls a lot (another idiotic scene at hospital when we hearhis inner voice saying 'Oh, lady's voice!' as a nurse enters the roomduring an otherwise engaging scene) and also, like many others in thefilm, owes some money to Vatti Raja. The manner in which their livesintertwine is interesting because most of the characters don't know,even after they meet, how actually similar their problems are. All thishappens post interval, and so many things seem to be a work of sheerchance or fate that I wondered why the film wasn't titled 'Chance' or'Faith', the Tamil word for them.

    Neram plays out like a simple comedy, although it attempts to emulate aTarantino film. While Tarantino's dialogs are so mesmerizing andmystifying that monologues which would be considered ramblings if heardelsewhere sound monumentally profound, Neram simply kids around withquirky characters; its non-linear narrative has to be given creditthough. The actors play in accordance with their script; they are lessirritating when the script wakes up but not even one would remain withyou after the film. And who took the decision of giving the role ofVatti Raja to Simhaa, who is in no way intimidating? I understand thisis a comedy but I should at least feel even a little of what thecharacters feel towards another to get more involved with the film.Even a little more dexterity in editing would've helped a great deal;take the scene when Vetri's friend's boss rebukes him for shaving offhis beard. He then goes inside and screams at another employee butlater apologizes when it turns out to be a girl; the second parthappens off- screen and we could only hear the gag. Based on theaudience response, very few caught the gag because I heard littlereaction from the audience; the gag (a little silly, of course) isn'ttreated well, with not enough sound so audience members could hear itand a sloppy editing treatment which cut off the gag quickly. I guessthe film wanted to pack as many punch-lines as possible in little timebut timed a few of them wrong. Well, maybe I'll see a better outputfrom its director Alphonse Putharen another time.



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